The Lux Tour is the fourth concert tour by Spanish singer Rosalía, in support of her fourth studio album, Lux (2025). The tour began on 16 March 2026 in Lyon, France and is scheduled to finish on 3 September 2026 in San Juan, Puerto Rico.
The Lux Tour is presented as a multi-act, theatrical performance in which the setlist unfolds through a series of visual and stylistic transformations. Its presented as a maximalist show, in contrast with the minimalism of the Motomami World Tour. It is a show "build for arenas". The show opens with an orchestral overture played by The Heritage Orchestra, which —whilst conducted by Yudania Gómez Heredia— accompanies the singer during the show, playing from Stage B, which is arranged in the shape of a Latin cross.[15] The Lux Tour is structured in four acts plus an intermezzo, each with distinct staging, costumes, and choreography by celebrated French dance collective (La) Horde, who brought ten dancers to accompany Rosalía throughout the show.[16] It is the first show of Rosalía to have more than one stage and to include costume changes.[17]
"Angel" by Jimi Hendrix backs the entrance of the orchestra. A white canvas opens to Rosalía emerging from a large box, dressed as a ballet dancer. Act I starts with "Sexo, Violencia y Llantas," —the opening track on Lux— followed by "Reliquia," and "Porcelana".[18] During the set, she maintains this ballet-inspired image, performing controlled, minimal choreography under soft lighting that evokes religious iconography. This tone becomes more overtly devotional in “Divinize”, in which the dancers adapt a 1941 performance by Ruth St. Denis. For "Mio Cristo Piange Diamanti," Rosalía covers her body with a white layer.[19]
The atmosphere shifts abruptly at the beginning of Act II. Starting with "Berghain," Rosalía adopts a darker persona, accompanied by harsher lighting, electronic arrangements, and horned costume that resembles El Aquelarre, the 1798 painting by Francisco de Goya. Her dancers wear a ruff around their neck, historically associated with Renaissance and Elizabethan fashion.[20] A part of the Conrad Taylor remix of "Berghain" plays at the end, similar to the Brit Awards performance.[21] Rosalía wear a Marie Antoniette-like wig during "Saoko", which is followed by two other Motomami songs: "La Fama" and "La Combi Versace".[22] She later performs an extended version of "De Madrugá", slightly revamping the choreography used during El Mal Querer Tour. The canvas closes again and premieres the following act.
Act III starts with an orchestral version of "El Redentor", the only song to be performed off her debut record Los Ángeles (2017). The show continues with a cover of Frankie Valli's "Can't Take My Eyes Off You", during which she invites a dozen of perviously-selected fans to join her onstage to admire her performance as she sings behind a painting frame. The cameras then follow the singer to a confessional in which a fan or celebrity tells her a story about an ex-partner, a practice that has been previously seen in shows like Sabrina Carpenter's 2022 tour. Rosalía returns onstage and dedicates "La Perla" to the person's ex-partner. During the performance, Rosalía dresses in white clothing and black evening gloves that contrast with the dancers'. Journalists saw resemblances in Eva Green's performances in Bernardo Bertolucci's The Dreamers (2003).[23] The performance is choreographed by Dimitris Papaioannou, the artistic director of the opening and closing Ceremonies of the 2004 Summer Olympics.[24] Rosalía interacts with the audience and drinks a glass of wine to perform "Sauvignon Blanc", performed at the piano with Llorenç Barceló.[25] She then performs "La Yugular" to a floor camera that sees her through a glass.
